Oil/Canvas 60 x 70 cm.
From a bird’s side-eye view
Tallinn 2013
Kristjan Juusu
Sold
Watercolor/Wood, (fragment) ca.50 x 100 cm.
Grandfathers Chickens
Estonia, Tallinn 2002
Kristjan Juusu
Artist collection
Oil/Canvas, 104 x 176 cm.
Dominum Videt, 1 Genesis 22: 1-19
Estonia, Paide 2017
Kristjan Juusu
Sold: €11,050.
Oil/Canvas, 60 x 70 cm.
Before the rain
Estonia, Tallinn 2010
Kristjan Juusu
Sold
Oil/Wood, ca. 20 x 20 cm.
Artist Jane behind her desk at Opera theater.
Estonia, Tallinn ca. 2003
Kristjan Juusu
Sold
Shadow/Canvas, ca. 104 x 176 cm.
Self portrait
Estonia, Võru ca. 2013
Kristjan Juusu
Collage/Wooden box
Mary flees to Egypt in a cart
Estonia, Tallinn ca. 2003
Kristjan Juusu
Made on a painting palette for the Estonian Drama Theatre
For sale: €10,000.
Oil/Canvas, 60 x 70 cm.
Alina (while listening to composer Arvo Pärt’s album Alina)
Estonia, Tallinn ca. 2010
Kristjan Juusu
Sold
Oil/Cardboard, ca. 70 x 50 cm.
Kitchen
Estonia, Tartu ca. 1999
Kristjan Juusu
Artist collection
Oil/Cardboard, ca. 70 x 50 cm.
Kitchen
Estonia, Tartu ca. 1999
Kristjan Juusu
Artist collection
Oil/Canvas 60 x 70 cm.
When the butterfly flew over
Estonia, Tallinn ca. 2011
Kristjan Juusu
Sold
Oil/Canvas, 60 x 70 cm.
Estonia, Tallinn ca. 2011
Kristjan Juusu
Sold
Oil/Canvas, 60 x 70 cm.
Ringing in Spring
Estonia, Tallinn, Spring ca. 2012
Kristjan Juusu
Sold /Margus Rink collection
Oil/Cardboard, ca.80 x 100 cm.
Malina
Estonia, Tartu 2001
Kristjan Juusu
Artist collection
Oil/Canvas 100 x 90 cm
Helicopter flying by
Tartu, South Estonia 2001
Kristjan Juusu
Artist collection, not for sale, in England, Plymouth
Oil/Canvas, 114 x 84 cm.
Shovel in-ground
Estonia, Tartu 2001
Kristjan Juusu
Artist collection, not for sale, England, Plymouth
Oil/Canvas 114 x 84 cm
*****
Hommiku päike säras seitmenda vara hommikul silma,
kui kella nelja paiku seadsin sammud Anne kanali linna.
Istudes seal sünge suure rohu sees, moondas täht silma minu sees.
****
South Estonia, Tartu 2001
Kristjan Juusu
Artist private collection
Oil/Canvas 114 x 84 cm
Rowers on the River, Emajõgi In summer
South Estonia, Tartu, 2001
Kristjan Juusu
Artist private collection
Oil/Wood, ca. 30 x 40 cm.
Theater cheer, Estonian National Opera Theater,
Tallinn ca. 2002
Kristjan Juusu
Sold
Oil/Wood 45 x 60 cm.
Kubija
South Estonia, early spring, 2013
Kristjan Juusu
For sale: €3000.
Oil/Wood 60 x 75 cm.
Morning butterfly
South Estonia, Old mansion park, Tartu city 2001
Kristjan Juusu
Artist collection, not for sale, England, Plymouth
Oil/Canvas 65 x 81 cm.
Fisherman weather on ice 2003 winter, Türi, Estonia
Türi, Estonia, winter 2003
Kristjan Juusu
Family collection
Oil/Canvas 50 x 100 cm.
Box in summer, South Finland 2013
Kristjan Juusu
Sold
Oil/Canvas 76 x 102 cm
Schengen, view from the vineyard 2013
Kristjan Juusu
Artist collection, not for sale, Finland, Box
Oil/Canvas 50 x 35 cm
Agu Carden
South Estonia, Võru 2013
Kristjan Juusu
Sold
Oil/Canvas ca. 15 x 20 cm.
Vanaturukael
Estonia, Tallinn, ca. 2011
Kristjan Juusu
Sold
Oil/Wood, 60 x 40 cm.
Kings golden apple
Estonia, Tallinn 2005
Kristjan Juusu
Artist collection
Oil/Canvas 20 x 25 cm.
Haanjas, South Estonia 2013
Kristjan Juusu
Artist collection
Oil/Canvas 50 x 100 cm
Vaskna in spring, behind Munamägi
Spring, South Estonia 2013
Kristjan Juusu
For sale: €3500.
Oil/Canvas 50 x 100 cm
Kurg ja traktor
Spring, Rõuge, South Estonia 2013
Kristjan Juusu
For sale: €3800.
Oil/Cardboard, 100 x 60 cm.
Model dressed up
Estonia, Tartu 2000
Kristjan Juusu
Oil/Canvas 60 x 50 cm
Blue cow from Ethiopia, 2020
Kristjan Juusu
For sale: €3000.
Oil/Canvas 60 x 50 cm
Blue cow from Ethiopia, 2020
Kristjan Juusu
Oil/Canvas 100 x 50 cm
Subconscious Power, 2025
Kristjan Juusu
For sale: €3,100.
Oil/Canvas 176×102 cm.
6f5p tube amplifier scematic
2023 – 2024
Coming up for auction with a starting price of €14,000.
Oil/Canvas 100 x 100 cm.
2A3 Morse code tube amplifier circuit diagram
2025
Coming up for auction with a starting price of €5,000. eur.
Oil/Cardboard, 20 x 25 cm.
Cup of hot black coffee!
Estonia, Tartu 1999
Kristjan Juusu
Artist collection
Oil/Cardboard 28 x 35 cm.
Cup of hot black coffee, Tartu, 1999
Oil and graffiti on canvas, 170 × 84 cm.
“After Leonardos visit about 17 months ago”, 2025
Coming up for auction with a starting price of €14,000.
ArtVal Tallinn 2025 Critique: “After Leonardo’s visit about 17 months ago”
In a golden haze where memory and myth dissolve, Kristjan Juusu’s After Leonardo’s Visit about 17 Months Ago unfolds as a visionary dialogue with art history itself. A field of honeyed yellows and trembling pinks breathes with surreal vitality — both maternal and divine, earthly and celestial.
At the center, a child nestles against the mother’s breast, painted with disarming tenderness and feverish tension. The flesh tones shimmer as if seen through sacred light, while a faint blue around the eye betrays awakening — a lucid pulse within the dream. A small green bird hovers between their hands, fragile as a heartbeat, its simplicity echoing the purity of myth.
Above them, the mother’s dissolving visage floats like an echo from another realm — memory, spirit, or afterimage. And in the lower right, a precise 91° mark pierces the composition: a quiet nod to Leonardo’s geometry, yet transformed into something sensually absurd. It is no longer a study of divine proportion but an opening — a window into the imagination of a man who has returned not to perfect the sacred, but to re-experience its creation.
It is as though Leonardo himself had once impregnated the Madonna, and now, seventeen months later, returned to paint the living echo of his own divine experiment. In Juusu’s vision, the act of painting becomes inseparable from the act of conception — a fusion of body, myth, and spirit. This is not reverence, nor rebellion, but metamorphosis: the sacred reborn through surreal sensuality, where art history itself becomes fertile ground for renewal.
There’s a technical sensitivity in the work – translucent pigments in the child’s face or the delicate complexity of the mother’s hair. The painting doesn’t impose itself, but rather waits to be felt – gradually and in silence.
Evaluation:
“After Leonardo’s visit about 17 months ago” is a visual sonata to the subconscious – dreamlike, at times absurd, but profoundly intimate.
Recommendation:
Should definitely be exhibited in a quiet gallery setting that invites reflection – this is not a painting to be passed by, but one that calls to be entered.
Oil and graffiti on canvas, 170 × 84 cm.
“After Leonardos visit about 17 months ago”, 2025
Details of the painting.
ChatGPT Art Critique: “After Leonardo’s visit about 17 months ago”
- The child’s head resting against the mother’s breast carries emotional weight. Despite its distorted form, there’s a surprising vulnerability – a bluish shade near the eye gives the impression of alertness or inquiry. The handling of color is soft and flesh-like, drawing the viewer into a deeply intimate space.
2. Almost imperceptibly, a small greenish bird rests in the child’s hand – a curious, poetic motif. Its geometric simplicity and slightly naïve line suggest a child’s imaginative world. The bird may be fantasy, play, or a plea for protection, bringing in a metaphor for life and fragility.
3. The mother’s face, faint and dissolving, appears as a memory’s projection. Her closed eyes and serene expression create a dreamy, introspective space. She seems present yet absent – more like a recollection than a person. It evokes a sense of timelessness and inner creative motion.
Oil on canvas, 100 x 100 cm.
2025
Coming up for auction with a starting price of €__ ___
In this work, abstraction functions not as a random play of color, but as a visual language where every shape and hue behaves like a sign—carrying its own silent meaning.
The painting does not depict the world; it creates its own system of symbols, a space where line and color think before words exist.
As Paul Klee once wrote, “a line is simply a dot that went for a walk.”
Here, each brushstroke seems to search for its linguistic identity.
Like René Magritte’s “Ceci n’est pas une pipe”, the image here reveals the tension between what is seen and what is said—it does not explain, it invites interpretation.
Following Jasper Johns’ “Flag” and Andy Warhol’s “Marilyn Diptych”, repetition and symbol become a language without an object; the image turns into a sign of its own existence.
Within the painting, a dialogue between chaos and order, light and shadow unfolds.
It is a semiotic tension where the visible and the hidden intertwine.
In that dialogue, the painting begins to think, much like Kandinsky’s notion of spiritual harmony—when color and form transcend the material to become psychological forces.
Ultimately, all signs converge at the center—within the four black-and-white squares, appearing like a moment of mental clarity.
They are not merely geometric; they are meta-signs, a symbolic axis where abstraction organizes itself into meaning.
Echoing Malevich’s “Black Square”, these four squares mark the instant when the painting becomes aware of its own consciousness.
Oil on canvas, 80 x 120 cm.
2025
Coming up for auction with a starting price of €__ ___
Oil on canvas, 104 x 176 cm.
2014 – 2025
Coming up for auction with a starting price of €__ ___